Well, it has been about 3 months since production started on the audio versions of "Still With Eyes Closed", "The Boy in The Wood" and "David's mark".
So how is it going? CRASH!
Kelly Wilmoth finished reading "Still With Eyes Closed" and the files were uploaded to ACX, however 3 times ACX has rejected them, for "loudness". However Mr. Wilmoth IS using the ACX tools to record, edit and adjust, the exact same tools they test with he is using and when he finishes the tools tell him they are within ACX limits. So this brings up a great many questions. If Mr. Wilmoth is using the very tool that ACX test with and the tool approves the recording why is the rep within ACX failing it? It almost appears to be a personal reason. Mr. Wilmoth has currently moved forward with the recording of "The Boy in The Wood".
Now as to "David's mark" well a stage actor in New York has been working on that but I have failed to hear from him. I have sent him 2 messages via ACX, he has failed to reply. Doing audio is stressful.
So how is it going? CRASH!
Kelly Wilmoth finished reading "Still With Eyes Closed" and the files were uploaded to ACX, however 3 times ACX has rejected them, for "loudness". However Mr. Wilmoth IS using the ACX tools to record, edit and adjust, the exact same tools they test with he is using and when he finishes the tools tell him they are within ACX limits. So this brings up a great many questions. If Mr. Wilmoth is using the very tool that ACX test with and the tool approves the recording why is the rep within ACX failing it? It almost appears to be a personal reason. Mr. Wilmoth has currently moved forward with the recording of "The Boy in The Wood".
Now as to "David's mark" well a stage actor in New York has been working on that but I have failed to hear from him. I have sent him 2 messages via ACX, he has failed to reply. Doing audio is stressful.
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